tag:blogger.com,1999:blog-25351764639044389182024-02-18T20:44:48.445-08:00Trekking AroundAnonymoushttp://www.blogger.com/profile/06108515003161409054noreply@blogger.comBlogger9125tag:blogger.com,1999:blog-2535176463904438918.post-63248558212200015832017-11-11T12:29:00.001-08:002017-11-14T13:18:54.008-08:00On Breaking the Rules<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaRssXJhhNNxM0vh9XYJj728hVHS1-T7F2FFnZC11MEOl-wB_HJmjVwpKTzbfF4d3PFLgRBGVcguF36r8-Ait4XJhWJuN6y3a9Dj9iuFRNepmepdfCIWt8WenhUcMNxrputH37Rh3zEDU/s1600/Comm%25C3%25A8res.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1584" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaRssXJhhNNxM0vh9XYJj728hVHS1-T7F2FFnZC11MEOl-wB_HJmjVwpKTzbfF4d3PFLgRBGVcguF36r8-Ait4XJhWJuN6y3a9Dj9iuFRNepmepdfCIWt8WenhUcMNxrputH37Rh3zEDU/s320/Comm%25C3%25A8res.jpg" width="316" /></a><span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">I
have wonderful memories of rainy days from my early childhood. <br /><br />On
these days, when we were more or less housebound, my mother would draw
paper dolls on the cardboard backs of those lined paper pads (money for
"extras" such as store-bought paper dolls was hard to come by), cut them
out, and with crayons in hand, my younger sisters and I would design
costumes for the dolls, using the little line drawings in the dictionary
we owned as inspiration. I remember drawing a Native American girl in
her "Pocahontas outfit," as well as a member of a harem in
hers. </span></span><br />
<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">Although we used the lined paper from the writing pads to create our
designs, we were a bit excessive in our choice of colors, since one
extravagant purchase Mom insisted upon was a box of 72 Crayola crayons.
Such great colors -- such great fun; we never knew what we were missing by not having
store-bought paper dolls - plus we learned a little history along the
way. Mom had inherited her artistic talents from her father, my
grandfather, who loved to paint. And my artistic capabilities
were fostered directly from Mom's loving encouragement of my
own budding talents. <br /><br />When I was in fourth grade, our local newspaper in
southeastern Iowa ran a city-wide art contest for children. Mom
encouraged me to enter, and so I did. The grand prize was a $10 gift
certificate at the local Army-Navy store. Wow! Ten dollars back then
(1961) was a fortune. If I won, I would be able to buy Christmas
presents for my whole family! <br /><br />The challenge was to draw ads found in
the local paper - or so I thought. I set about drawing three or four
ads, which I thought were pretty good, and Mom helped me get them sent
off to the paper before the deadline. Imagine my surprise when I learned
that I had won the contest! We were in utter disbelief when we read the
letter telling me about my award. My parents, my siblings, my
grandparents would all have a gift from me that Christmas. I was
pumped!!<br /><br />However, the letter also detailed the fact that the challenge in
the contest was not about<i> drawing</i> the ads, but rather about<i> tracing </i>them. I had not <i>traced </i>the ads as the instructions specified; mine were
actual free-hand drawings and much larger than the ads themselves.
Apparently the judges were very impressed by my drawing skills, and I
had ten dollars to prove it! In other words, I had won this art contest
by not following the rules. Even way back then I was a renegade of
sorts, and I guess that experience set the stage for the iconoclastic
artist I have become. <br /><br />Now, having learned the "rules" of art, I feel
justified in breaking them whenever my "maverick" streak starts to
show! I have become an incurable experimenter as an artist, since doing
so allows me to set my own "rules," according to my lights. It's also
about always learning </span></span><span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;"> and keeping it fun! </span></span></div>
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Anonymoushttp://www.blogger.com/profile/06108515003161409054noreply@blogger.com0tag:blogger.com,1999:blog-2535176463904438918.post-9308295093500902282017-08-13T12:29:00.001-07:002017-08-13T12:29:18.173-07:00<a href="https://blogger.googleusercontent.com/img/proxy/AVvXsEhglU1U4VB7iBw16mnEBo9CyFE-Q73TK8uk9XjmbmDOaDLA6-UGtvTY697r6ZTkhmnvwL3FtEKUhrjcgTZ2SGNuSqedDxx4Vz6PfEPlSq0f0bwfM_cZHTProUEBpgjgdAaQlJF9B01XRKXPtTpq0kWSYG-RPo4jg0-lVpfDFWf8vWM4LmJk9SVXh1RDE9yVYMJfvEAD6BGrjQmLuW9dmCgz0tBphijm34zvoQHzCsfc-SbzyJqJUjEk9Hn3hMARvhgxtt_OwTNRHLEbArIUpl9Np_CoH4SXJYBHOPPSbCk=s0-d-e1-ft" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" class="CToWUd a6T" height="320" src="https://blogger.googleusercontent.com/img/proxy/AVvXsEhglU1U4VB7iBw16mnEBo9CyFE-Q73TK8uk9XjmbmDOaDLA6-UGtvTY697r6ZTkhmnvwL3FtEKUhrjcgTZ2SGNuSqedDxx4Vz6PfEPlSq0f0bwfM_cZHTProUEBpgjgdAaQlJF9B01XRKXPtTpq0kWSYG-RPo4jg0-lVpfDFWf8vWM4LmJk9SVXh1RDE9yVYMJfvEAD6BGrjQmLuW9dmCgz0tBphijm34zvoQHzCsfc-SbzyJqJUjEk9Hn3hMARvhgxtt_OwTNRHLEbArIUpl9Np_CoH4SXJYBHOPPSbCk=s0-d-e1-ft" style="height: 550px; max-width: 100%; width: 443px;" tabindex="0" width="257" /></a>One of my favorite art instructors, David Limrite, had a great blog piece today -- his thoughts on overworking a painting. I share it with you here.<br />
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<div style="padding-bottom: 10px;">
<div style="padding-bottom: 10px;">
<div style="margin-bottom: 1em; margin-left: 60px;">
<strong>10 Thoughts On Overworking</strong></div>
<div style="margin-bottom: 1em; margin-left: 60px;">
Overworking a painting! </div>
<div style="margin-bottom: 1em; margin-left: 60px;">
AAAGGHH!!</div>
<div style="margin-bottom: 1em; margin-left: 60px;">
It doesn’t matter how
experienced an artist you are. We have all overworked paintings and we
will most certainly overwork some more. Overworking is a natural part of
creating. Overworking happens. It is not, however, something to get
upset about. If you overwork a painting, will it really matter <span class="aBn" data-term="goog_82558996" tabindex="0"><span class="aQJ">five years from now</span></span>? Probably not. Overworking is still frustrating.</div>
<div style="margin-bottom: 1em; margin-left: 60px;">
With that said, here are 10 thoughts on overworking:</div>
<div style="margin-bottom: 1em; margin-left: 60px;">
1. Apply a brushstroke of paint and leave it alone.</div>
<div style="margin-bottom: 1em; margin-left: 60px;">
2. Make one or two paint
strokes, stop, scoop up some fresh paint on your brush, and make another
one or two strokes. Repeat. Do not make too many brush strokes before
you stop to reload. Stopping often, even for just a couple seconds,
gives you lots of opportunities to assess how things are going.</div>
<div style="margin-bottom: 1em; margin-left: 60px;">
3. Get into a rhythm of
working hard for 30 minutes and then taking a 5 minute break. Don’t work
for 2 hours straight before stepping back to check things out.</div>
<div style="margin-bottom: 1em; margin-left: 60px;">
4. Start a painting using
as big a brush as you feel comfortable with. Or, better yet, use a brush
that is bigger than you are comfortable with. Use this brush as far
into the painting as you can. Move to smaller brushes only when
absolutely necessary.</div>
<div style="margin-bottom: 1em; margin-left: 60px;">
5. Keep your brush off of the surface of your painting more than on.</div>
<div style="margin-bottom: 1em; margin-left: 60px;">
6. Work as far back from
your painting surface as you can. Even if you have to slightly lean in a
bit to make a paint stroke. There is a reason why brushes have long
handles.Try holding the brush as far back on the handle as you can.</div>
<div style="margin-bottom: 1em; margin-left: 60px;">
7. Do something unexpected to your painting. Often.</div>
<div style="margin-bottom: 1em; margin-left: 60px;">
8. Focus on process not product. Detach from the outcome if you can.</div>
<div style="margin-bottom: 1em; margin-left: 60px;">
9. Orchestrate a good balance of busy and simple areas in the finished painting.</div>
<div style="margin-bottom: 1em; margin-left: 60px;">
10. Establish 2 or 3 goals
for your painting. These goals will do three things for you. They will
provide a place for you to begin, keep you focused if you get off track,
and most importantly, let you know when you are finished. The painting
is finished once you have accomplished your goals. Examples of goals
could include interesting brushwork, good value contrast and effective
figure ground relationships. Just to name a few.</div>
<div style="margin-bottom: 1em; margin-left: 60px;">
Bonus tip: Constantly simplify and edit while you are painting. All the way to the finish.</div>
<div style="margin-bottom: 1em; margin-left: 60px;">
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Anonymoushttp://www.blogger.com/profile/06108515003161409054noreply@blogger.com0tag:blogger.com,1999:blog-2535176463904438918.post-41158285839630528192017-08-02T12:33:00.004-07:002017-08-02T12:43:27.828-07:00The Art of Cursive Handwriting Is Making a Comeback!!!<a href="https://qzprod.files.wordpress.com/2017/07/screen-shot-2017-07-24-at-10-27-35-am.jpg?quality=80&strip=all&w=746" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="Cursive document and pencils." border="0" class="progressive-image-large" height="180" src="https://qzprod.files.wordpress.com/2017/07/screen-shot-2017-07-24-at-10-27-35-am.jpg?quality=80&strip=all&w=746" title="" width="320" /></a>So heartened to see this report. I've always been against eliminating teaching cursive writing to students. Playing with different ways to make cursive letters was, for me at least, an avenue for artistic expression and for developing my individuality. As I and many others have always suspected, it engages the brain in a way that fosters other cognitive skills, which research now shows to be true.<br />
<br />
Check out <a href="https://qz.com/1037057/keyboards-are-overrated-cursive-is-back-and-its-making-us-smarter/" target="_blank">this article</a>.<br />
Anonymoushttp://www.blogger.com/profile/06108515003161409054noreply@blogger.com0tag:blogger.com,1999:blog-2535176463904438918.post-21385069284675950582017-05-11T12:03:00.001-07:002017-05-11T12:03:24.062-07:00The Central Coast Watercolor Society's Spring 2017 newsletter will feature an interview with me. It's a little embarrassing or weird to think that three pages of the newsletter will be devoted to <i>me.</i> <br />
<br />
That said, I am so honored by this feature and grateful to Dail Schroeder for her work on it.<br />
<br />
If you are interested, you can access it <a href="http://www.mariobrien.com/resources/mho%20interview%20for%20CCWS%20newsletter%20spr%202017.pdf" target="_blank">here</a>.<br />
<br />
<br />Anonymoushttp://www.blogger.com/profile/06108515003161409054noreply@blogger.com0tag:blogger.com,1999:blog-2535176463904438918.post-25155332740176176192017-05-11T11:57:00.002-07:002017-05-11T11:57:40.564-07:00I ran across this piece from <i><a href="https://www.artworkarchive.com/" target="_blank">Artwork Archive</a>, </i>an online service for artists where I can keep a gallery of my art inventory, notes about my paintings, a record of exhibitions and competitions--and where I can easily generate certificates of authenticity when needed. Plus they send a weekly reminder of art-related dates and deadlines that I need to attend to that week. I love <i>Artwork Archive</i>!<br />
<br />
They also publish interesting art-related articles. I ran across this one today on why we need art in our homes:<br />
<br />
<a data-saferedirecturl="https://www.google.com/url?hl=en&q=https://www.artworkarchive.com/blog/we-need-art-in-our-homes-here-s-why&source=gmail&ust=1494614852490000&usg=AFQjCNHE9fvxzLMOLgVUOTqf9LE8xsnsUg" href="https://www.artworkarchive.com/blog/we-need-art-in-our-homes-here-s-why" target="_blank">https://www.artworkarchive.<wbr></wbr>com/blog/we-need-art-in-our-<wbr></wbr>homes-here-s-why</a><br />
<br />
Check it out! Anonymoushttp://www.blogger.com/profile/06108515003161409054noreply@blogger.com0tag:blogger.com,1999:blog-2535176463904438918.post-36566387053748037092017-04-19T11:09:00.001-07:002017-04-19T11:09:04.787-07:00Brave BrushstrokesOne of my favorite artists and teachers, David Limrite, frequently blogs about helpful things for artists to think about. <br />
<br />
His recent blog on "brave brushstrokes" struck a chord with me; it makes me want to race out to my studio and follow his example. <br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-8jG9ShlOrqBw3H-UrZlWoKZq8f3ibB6OBPL05AEtPXIyEszxGMs4nxQbPmy0iN9jH9KTRP0J7v5DsW1hdZkRgwe0iNMaDpOMgy74dT9L9QAyLH9kJodXD8Ki3VqiQOizoZme3OFzmlM/s200/Copyright%252B2017%252BDavid%252BLimrite%252BArtist%252BTeacher%252BCoach%252BMentor%252BBlog%252BApril%252B16%252BBrave%252BBrushstrokes.jpeg" width="141" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">by David Limrite</td></tr>
</tbody></table>
<br />
<br />
Check it out: http://www.davidlimrite.com/blog-all/2017/4/16/brave-brushstrokes<br />
<br />
~ Mari<br />
<br />
<i><span style="font-size: x-small;"><span style="font-family: Verdana,sans-serif;">Keep painting! Paint in your mind when no canvas is available, and in your dreams when you are asleep...</span></span></i>Anonymoushttp://www.blogger.com/profile/06108515003161409054noreply@blogger.com0tag:blogger.com,1999:blog-2535176463904438918.post-58036855951786907932017-03-25T12:44:00.000-07:002017-03-25T12:44:14.972-07:00<div class="round-frame">
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<span style="color: #134f5c;"><span style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">Abstract Floral Series<br /><span style="font-size: small;">A Peek into My Process</span></span></span></span><br />
<span style="color: #134f5c;"><span style="font-size: large;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span style="font-size: small;"> </span></span></span></span><br />
<span style="color: #134f5c;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">I
hate to waste paint, so when I have some left over, I use it to paint a
variety of backgrounds/underpaintings. In 2016, I decided to do
something with stash of underpaintings and unfinished beginnings.
Always yearning for spring, I thought, why not a series of florals?
Although I had painted many "realistic" florals when I first returned to
painting, I decided on abstracts this time around. <br /></span></span><br />
<span style="color: #134f5c;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">
</span></span><div class="separator" style="clear: both; text-align: center;">
<a href="http://www.mariobrien.com/resources/Abstract%20Floral%20I%20sequence%20web.jpg.opt551x234o0%2C0s551x234.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" id="I96fdf48051924124933f56fbcf65fd4e_img" src="http://www.mariobrien.com/resources/Abstract%20Floral%20I%20sequence%20web.jpg.opt551x234o0%2C0s551x234.jpg" /></a></div>
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<span style="color: #134f5c;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">Here are three phases of my process in Abstract Floral I:<br /><br />1) Sketch done with white pastel. on painted background.<br />2) Negative painting around sketched shapes.<br />3) Adding color and texture. And to complete the painting, I added in some leaves.<br /></span></span></div>
<span style="color: #134f5c;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">
</span></span><div style="text-align: left;">
<span style="color: #134f5c;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">I love using this really fun approach. I
may even try a simplified version of negative painting with my Open
Studios visitors this year!</span></span></div>
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Anonymoushttp://www.blogger.com/profile/06108515003161409054noreply@blogger.com0tag:blogger.com,1999:blog-2535176463904438918.post-7464848432625849192015-12-06T13:06:00.003-08:002017-03-25T12:48:31.410-07:00On Aesthetics<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">I like this post from David Limrite, one of my favorite artists and teachers. Check it out! </span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><br /></span>
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">http://archive.aweber.com/dlmainlist/Eg4By/h/MY_TAKE_ON_<span style="background-color: #cfe2f3;"><span></span></span>AESTHETICS.htm</span></div>
Anonymoushttp://www.blogger.com/profile/06108515003161409054noreply@blogger.com0tag:blogger.com,1999:blog-2535176463904438918.post-5410500738165375602015-10-25T14:08:00.002-07:002015-10-25T14:20:23.552-07:00Evolution of a mixed-media bricolage<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><br /></span>
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">I’ve spent the past year working on paintings for a solo exhibit (up
through 9/29 at Gallery at Marina Square in Morro Bay) entitled “Dreams
of Africa.” Although I’ve never been to Africa, I’ve known many
wonderful Africans; taught works of African literature; and appreciated
the music of a plethora of African musicians. Long story short,
eventually all these experiences with things African were bound to
surface in my art. (In fact, I think I lived a previous life in
Africa!)</span><br />
<br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">
</span><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">Perhaps my most planned painting in this series – I call it a
“mixed-media bricolage” – is “Place du Marché” (marketplace). I wanted
to do a piece that evoked the cacophony, the color, the dusty and rusty,
discordant, haphazard feel of a marketplace in sub-Saharan Africa. At
least, that’s the way it appeared to my mind’s eye!</span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"></span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">
</span><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">I worked a long time on this piece, painting papers and collecting
items that would help convey my idea of such a marketplace, trying to
plan out just the right composition and arrangement of items and
colors. It slowly evolved, until finally one day it just felt finished.</span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">
The early stages involved just playing with previously painted papers
on top of my wood panel, trying to decide which ones might be “keepers”
for this piece. </span><br />
<br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">I then collaged pages from a French novel onto the
panel, then played with and arranged pieces of tissue paper on this
surface. This gave me the backdrop for determining the rest of the
composition. As I placed the disparate components, I paid special
attention to using color and black lines to move the viewer’s eye around
the composition—essential so as to give some coherence to the otherwise
wildly incongruent elements.</span></span> </span><br />
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